THE REIKI CLUB BLOG: INTRODUCTION TO SOUL TYPES

Introduction to Soul Types

Before each of us begins our incarnational cycle on the planet, we choose one of seven Roles which serve as the blueprint for who we are, what special abilities we possess, and how we interact with others.

Our role is the type of soul we are, our special soul type, the spiritual archetype we embody. Every soul has a particular role that determines his dominant way of being. Although a soul can have only one role, there are secondary role influences . We could say that our role is our primary style—it determines not so much what we do but how we tend to do whatever we choose to do. Anyone can do any activity, regardless of role, although each role tends to gravitate toward certain activities. 

There are seven soul types or roles in essence: Kings, Priests, Sages, Scholars, Warriors, Artisans, Servers.

Each has a particular archetypal quality and brings specific abilities or attributes into life:

 

Warriors: strategic vision and action (e.g., Julius Caesar, Salma Hayek)

Kings: tactical action (e.g., Elizabeth I, John F. Kennedy)

Servers: moral duty (e.g., Mother Teresa, Dalai Lama)

Priests: moral vision (e.g., Oprah Winfrey, Barack Obama)

Sages: communicative expression (eg., Oscar Wilde, Dolly Parton)

Artisans: creative expression (e.g., Michaelangelo, Björk)

Scholars: objective understanding (e.g., Marie Curie, Ken Wilber)

Soul type does not change from one lifetime to the next. From a soul’s first incarnation to its last, the role in essence remains constant. 

 

Distribution of Roles (or Soul Types)

Roughly twenty-five percent of the earth’s population (and the sentient population of the entire cosmos) are Servers, twenty-two percent are Artisans, seventeen percent are Warriors, fourteen percent are Scholars, ten percent are Sages, eight percent are Priests, and four percent are Kings.

Roles & Inputs

Inputs are psychic receivers used by the roles. It's essentially from where and how we process information on a cognitive level.  Scholars, Kings, and Warriors—the “solid” roles—have one input:  the current reality and the objective facts of circumstance. This makes the King, Warrior and Scholar more solid, practical types.

Priests and Servers each have two inputs. For the priest, adding another "slot" that they can use for holding a perception of the higher good allows them both to be visionary and to bring their vision into practice. It is similar with servers, except their vision is "wide" rather than "tall," a vision of what would be good for the whole on a practical, earth-plane level.

Sages have three inputs. Sage actors on stage can pay attention to the audience, the other actors, and their lines at the same time. In other circumstances, they could use their inputs for other things.

Finally, Artisans have five inputs. An artisan creating a piece of art may be simultaneously aware of many different ideas he/she wants to put into it, making it easier to weave them together seamlessly, than, say, for a king artist, who has to go back and forth among those ideas. Scholar artists can create complex, detailed art with a lot of concepts in it, but that's different. Artisan art tends to be more surprising and inventive, maybe more right-brained, with more layers that the artist may not even be aware of; scholar art tends to be more calculated. Five inputs make it easier to make the kinds of connections between disparate elements that we also make in the dream state; artisans tend to daydream a lot and in general be thought of as dreamers.

No Hierarchy of Roles

It is not better to be one role than another. Some people think that it’s better to be a king than a server. From the point of view of our spark, if we had wanted to be a king, we would be one. The roles describe various styles or ways of being; they are not measures of importance.the more-or-less concrete, objective facts of circumstance. The three roles with just one input focus there, making them more solid, practical types.

Priests and Servers each have two inputs. For the priest, adding another "slot" that they can use for holding a perception of the higher good allows them both to be visionary and to bring their vision into practice. It is similar with servers, except their vision is "wide" rather than "tall," a vision of what would be good for the whole on a practical, earth-plane level.

Sages have three inputs. Sage actors on stage can pay attention to the audience, the other actors, and their lines at the same time. In other circumstances, they could use their inputs for other things.

Finally, Artisans have five inputs. An artisan creating a piece of art may be simultaneously aware of many different ideas he/she wants to put into it, making it easier to weave them together seamlessly, than, say, for a king artist, who has to go back and forth among those ideas. Scholar artists can create complex, detailed art with a lot of concepts in it, but that's different. Artisan art tends to be more surprising and inventive, maybe more right-brained, with more layers that the artist may not even be aware of; scholar art tends to be more calculated. Five inputs make it easier to make the kinds of connections between disparate elements that we also make in the dream state; artisans tend to daydream a lot and in general be thought of as dreamers.

 

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